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Fans invited off a street in Tokyo's Harajuku area to meet Pino pose with the popular robot. Pino, short for Pinocchio (after the fabled wooden puppet that becomes a human boy), is a full bodied, child-sized, humanoid robot. Even before it demonstrates the ability of a wide range of bipedal movements it already has a national following in Japan after the release of a music video called "Can You Keep a Secret" in which the robot stars alongside one of Japan's most popular recording artists, Hikaru Utada. It has elevated Tatsuya Matsui, the artist who created the robot design (seated at left), to celebrity status. Interestingly, the robot project is part of a large ERATO grant from the Japan Science and Technology Corporation, a branch of the Science and Technology Agency of the Japanese government. Project creator Hiraoki Kitano (standing with arms crossed) believes that the aesthetics of a robot are important in order for it to be accepted by humans into their living space. At the Kitano Symbiotic Systems, Tokyo, Japan.

Filename
Japan_Jap_rs_453_xs.jpg
Copyright
©2000 Peter Menzel / www.menzelphoto.com / ROBO SAPIENS
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1024x686 / 175.2KB
Contained in galleries
Fans invited off a street in Tokyo's Harajuku area to meet Pino pose with the popular robot. Pino, short for Pinocchio (after the fabled wooden puppet that becomes a human boy), is a full bodied, child-sized, humanoid robot. Even before it demonstrates the ability of a wide range of bipedal movements it already has a national following in Japan after the release of a music video called "Can You Keep a Secret" in which the robot stars alongside one of Japan's most popular recording artists, Hikaru Utada. It has elevated Tatsuya Matsui, the artist who created the robot design (seated at left), to celebrity status. Interestingly, the robot project is part of a large ERATO grant from the Japan Science and Technology Corporation, a branch of the Science and Technology Agency of the Japanese government. Project creator Hiraoki Kitano (standing with arms crossed) believes that the aesthetics of a robot are important in order for it to be accepted by humans into their living space. At the Kitano Symbiotic Systems, Tokyo, Japan.